Gautier Capuçon and the Cello
“Gautier Capuçon and the Cello” is a dual musical portrait devoted to the unique relationship between a musician and his instrument. “It took me several years to be able to tame it. Probably it would say the same thing about me,” cellist Gautier Capuçon says with a twinkle in his eye about his collaborative struggle […]
Merry Christmas
Seasons Greetings from Konzerthaus Berlin in a stop-motion animation made from more than 1000 paper cut-out figures. Making Of: vimeo.com/657862790 Director & Animation BORIS SEEWALDDirector of Photography CHRIS VALENTIENStage Designer DARIA KORNYSHEVAIntern MARTHA ORONI Drums MARK VOERMANSTrombone HELGE VON NISWANDTTrumpet STEPHAN STADTFELDTrumpet SÖREN LINKE Production Manager MARIA GÈCZIProducer BERNHARD VON HÜLSEN, MARIA WILLERProduced by 3B-PRODUKTIONfor […]
ParkPlatz // Exhibition Film
31.5.21 – 20.9.21 The concept for “Park Platz” combines art with interactive events. A temporary pavilion by architects c/o now and new works by Berlin-based contemporary artists from many different countries will transform the museum car park into an urban forum.
Anything Goes? // Virtual Tour
17.3.21 – 16.8.21 Berlin boasts a unique concentration of noteworthy buildings from the 1980s, and more than 30 years later they deserve a review. The colourful diversity of this architectural vocabulary challenged previous ideas of living in the modern world. With Ursula Müller (Leitung Architektursammlung), Thomas Köhler (Direktor der Berlinischen Galerie) and Klaus Lederer (Senator […]
Anything Goes? // Exhibition Trailer
17.3.21 – 16.8.21 Berlin Architecture in the 1980s: Berlin boasts a unique concentration of noteworthy buildings from the 1980s, and more than 30 years later they deserve a review. The colourful diversity of this architectural vocabulary challenged previous ideas of living in the modern world. With Ursula Müller (Leitung Architektursammlung), Thomas Köhler (Direktor der Berlinischen […]
Provenances. Virtual Tour
28.10.20 – 26.4.21 “Works of art go wayfaring. That has always been their destiny and will never change.” Almost a century ago in 1926, the Berlin art critic Adolph Donath (1876 – 1937) began his description of provenance research with this profound observation. Exhibitions rarely provide room to trace the often labyrinthine journey each work […]
