The Antagonists – Rivalry in Art: Nolde vs Liebermann
Berlin 1910: The conflict between Nolde and Liebermann tears apart the Berlin Secession and reflects the cracks that will soon divide German society. Berlin 1910. It all starts with a painting by Emil Nolde. It’s called “Pentecost” and is so absurdly multi-coloured and full of wild faces that the art-minded jury of the Berlin Secession […]
Teaser „Agentur des Exponenten“
Andreas Greiner has created an exhibition entitled “Agentur des Exponenten” (Agency of the Exponent) for the Berlinische Galerie. Its themes are the exponential growth, identity and transformation of living creatures, including such beings as chickens bred for fattening. Corporate Video, 2016, 1 min. Motion Graphics: Boris Seewald
EPK Anna Netrebko
From a strictly vocal point of view, the challenge of versimo opera marks an important step forward in the career of Anna Netrebko, whose voice has developed and grown richer in altogether fascinating ways. For Deutsche Grammophon we have been following her whilst recording this challanging repertoire. Corporate Video, 2016, 6 min. Regie und Schnitt: Michael […]
Christoph Eschenbach
One thing is certain: Christoph Eschenbach, now 75 years old, will continue conducting till he turns 100. Music is his spiritual home, his roots lie in North Germany and his life is centered on Paris. This is welcome opportunity for Arte to pay tribute to a musical cosmopolitan portraying his current field of work between […]
Video-Clip Jost
Christian Jost’s compositions are declarations of love. We joined him on his way and tried to capture the magic that he puts into music. The peg for the works on Christian Jost’s Neue Meister debut is the magic of opposites. While BerlinSymphony transforms the macro perspective on Berlin into sound, Lover-Skysong focuses on the intimate […]
The Florence Foster Jenkins Story
Florence Foster Jenkins is known as “the worst singer of all times” and yet she is a cult figure whose recordings still outsell many contemporary singers. From the 1920’s onwards her public performances were events that drew huge crowds who were treated to singing that was so awful it became compelling. Jenkins’ 1944 sold-out Carnegie […]
