3B/DW/Unitel

Mozart y Mambo – A Cuban Journey with Sarah Willis

Together with hornist Sarah Willis we travel to Havanna, where she will realize a long held dream: she will create her “Mozart y Mambo” program, merging classical music from Europe with traditional Cuban rhythms like Mambo, Salsa, Rumba and Son. Her partners in crime are classically trained musicians from Cuba, as well as musicians with a focus on traditional Cuban music.

This irresistible musical encounter will culminate in a big concert which will not only see Sarah Willis perform with the Havana Lyceum Orchestra and conductor José Antonio Méndez Padrón, but also a Cuban Salsa-Mambo-Band. A joint celebration of Mozart, the likes of which has never been seen – or heard – before.

Documentary, 30 Min
Concert, 60 Min

A film by Magdalena Zieba-Schwind
DoP: Chris Rowe
Concert Camera: Jochen Beckmann, Maik Behres, Michael Boomers, Eric Delgado, Chris Rowe
Sound: Alejandro Alfonso
Concert Sound: Christoph Franke, Wolfgang Schiefermair
Editor: Stefanie Reichel
Concert Editor: Uli Peschke
Commissioning Editors DW: Hans Christoph von Bock
Executive Producers: Bernhard von Hülsen, Maria Willer

A production of 3B-Produktion GmbH in coproduction with Deutsche Welle and Unitel supported by the Göhde Foundation.

International Distribution: C Major Entertainment

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Maria Willer

is music journalist and was formerly, before founding the “3B-Produktion GmbH”, editor and presenter at the radio broadcaster “Klassik Radio” since 2003. Apart from her journalistic activities she has founded the “Musikkindergarten Hamburg”. Before working for the radio she was trainee as print journalist. In this way Maria Willer’s train of medial thinking spreads from the reader to the listener as well as to a film audience. Important for her is that stories reach out to human beings – whichever media is used.

Bernhard von Hülsen

Hat vor Gründung der „3B-Produktion GmbH“ ein knappes Jahrzehnt für die „AVE Gesellschaft für Fernsehproduktion“ Magazine, Talks, Dokumentationen, Reportagen und zunehmend junge Formate produziert. Vor seiner Produzentenlaufbahn promovierte er als Kollegiat der Deutschen Forschungsgemeinschaft zu deutsch-französischem Kulturtransfer und volontierte am Deutschen Historischen Museum. Er ist stark in der Musikszene verankert und hat hier über Jahre Akzente gesetzt.